Reversed runes: which can turn, which cannot

The habit of turning a rune head down and reading it darker is younger than a century. For a third of the row it is not even possible: as this site draws them, eight of the twenty-four runes look the same either way up. No rune poem records a reversed reading.

Where this comes from

no source no text before the twentieth century reads a rune reversed

No rune poem records a reversed reading. Reversed runes are a twentieth-century practice. The poems say what each rune is, not what it answers, so there is nothing in them to turn.

Where all of this comes from

The eight that do not turn

As this site draws them, these eight are the same after a half turn: the carve was rotated 180 degrees and compared with itself, stroke by stroke. That is a statement about our strokes, not about runes in history. Old inscriptions cut the same rune differently, and what cannot turn in our row could turn in another hand.

Most lists of reversed meanings print all twenty-four, including the runes whose glyph does not change when turned. Isa is a single vertical stroke. Gebo is a cross. Reversed, such a list hands the reader the same rune again.

The blank tile, apart

The sixteen that do

The other sixteen do turn, and their pages carry the reversed reading, named as the practice it is.

Fehu Uruz Thurisaz Ansuz Raidho Kenaz Wunjo Nauthiz Perthro Algiz Tiwaz Berkano Ehwaz Mannaz Laguz Othala

What the poems say

None of the four witnesses describes a way to cast or read the runes. The poems describe the letters, one by one, and stop there. What each rune means in them is gathered here, rune by rune.

all 24 runes The sources